GoGorillaGoisprobablymostnotableforitsstrangetitle,andthiscarriesoverintothefilm;aswhileittakesobviousinspirationfromsomebiggenreclassics;thefilmfeaturessomestrangeplottingandastorylinethatisabitunusualongenretermsDirectorToninoValeriipreviouslydirectedtheexcellentbutcomplicatedGialloMyDearKillerandclearlyhasatalentfordeliveringconvolutedstorylinesasGoGorillaGofeaturesonetooThefilmfocusesonMarco;anundercoverpoliceofficerwhoisalsoworkingasabodyguardforashadyunderworldfigureHe'salsogotabrotherwhoisnotexactlysqueakycleanandhascontactswithafewother'Gorillas'whoareinthesamelineasheisIt'snotlongbeforeourherogetsinvolvedinakidnapplotalongwithhisbrotherandhisunderworldbossandthisplotisranparallelwithaloadofothersandthewholethinggetsrathercomplicatedLuckily,however,it'sallspuntogetherwithawholeloadofactionscenes;manyofwhicharereallywelldoneWe'vegottheusualcomplimentofcarchasesandfistfights,butthemainstandoutisasequencethatseestheleadcharactertrappedinanelevatorwiththebottomtakenoutThefinalcarchase,whichinvolvesatrainalaTheFrenchConnection,isalsoverywellexecutedTheleadroleistakenbyFabioTestiandtheactorlooksthepartandplaysitwellTherestofthecastisfilledoutmostlybylesserknownItalianactors,buttheygetonwellasanensembleandbaddubbingaside,thefilmisaboveaverageintheactingdepartmentThewaythatthestoryflowsdoesgetabittooconfusingattimesasweconstantlyswitchfromonethingtoanother,butatleasttheproceedingsarekeptentertainingformostoftheduration,beforeexplodinginthefinalthirdThisfilmisnoTV版erywellknownandassuchhasbecomeratherhardtocomebyInthegrandspectrumofItalianpolicefilms;thisoneisnotoneofthemoreimportantonesoroneofthebest,butforanyonethatconsidersthemselvesafanofthisgenre;GoGorillaGoiscertainlyworthalookandcomesrecommended